SAN DIEGO'S
San Diego's Jazz

Jazz 88.3 Blog

- RSS feed of all latest articles.
TNJT Session Notes for Monday October 10 2011
Blog Name: The New Jazz Thing with Vince OutlawAuthor: Vince Outlaw Posted on: October 10, 2011
Tonight, Monday October 10, 2011 6-8 PM PT on The New Jazz Thing on Jazz 88.3 (88.3 FM SAn Diego Webcast http://Jazz88.org)
2011-10-10 Adds To The Jazz 88 Music Library
Blog Name: Jazz 88.3 Library Blog - New This WeekAuthor: Vince Outlaw Posted on: October 6, 2011

Here's what we are adding to the Jazz 88 Music Library and debuting on The New Jazz Thing, Monday, October 17, 2011...

DEE BELL (FB)– “SAGACIOUS GRACE” (Female vocalist, doing a straight-ahead mix of standards
and jazz tunes, backed by an all-star band).


FREDDY COLE – “TALK TO ME” (Male vocalist, doing a straight-ahead mix of obscure and
new standards).

Critical Jazz: Instead of taking a victory lap of exclusive club and festival dates or perhaps cooling his heels in Las Vegas, Freddy Cole releases a follow up to the Grammy nominated "Freddy Cole Sings Mr. B" that may just bring home the Grammy some argue he should have received last year. Sophisticated in style and as comfortable as a favorite pair of jeans, Freddy Cole continues to please!

MAC GOLLEHON – “ODDYSSEY OF NOSTALGIA” (Trumpet-led sessions, doing some
vintage tunes and originals, with some vocals by Amina Claudine Myers).


TIM HAGANS (FB )– “THE MOON IS WAITING” (Trumpeter, leading a progressive session. 2011 Grammy Nomination for Best Instrumental Composition "Box of Cannoli" on The Avatar Sessions).

AllABoutJazz.com (Dan Bilawsky): Hagans has proven to be a master compositional architect in more formal settings, but his ability to let loose with this small group is the key to its success. The Moon Is Waiting is a marvel of elastic expressions from one of the most shrewd and intelligent minds in jazz today.

LENORA ZENZALAI HELM (FB)– “I LOVE MYSELF WHEN I’M LAUGHING…” (Female
vocalist, doing a mix of original and jazz tunes, on the edgy side).

AllAboutJazz.com: the award-winning, Chicago-born vocalist, composer, lyricist, arranger, educator and former U.S. Jazz Ambassador Lenora Zenzalai Helm brilliantly illuminates the jazz world with this soulful and spectacular 13-track CD. It features music and lyrics inspired by two Chicago storytellers, and by writers Zora Neale Hurston, Neale Donald Walsch and Alice Walker, Robert Kennedy, biographers Gene Santoro and Ross Russell, poets Rudyard Kipling and Sam White, and the music and lyrics of Duke Ellington, John Coltrane, Charles Mingus, Thelonious Monk, Jon Hendricks and Joni Mitchell.

JASON KAO HWANG – “CROSSROADS UNSEEN” (Extremely progressive collection of
originals).

AllAboutJazz.com (Karl Ackerman): The notion that the next great force in new jazz could be a violinist may seem a bit incongruous, but Crossroads Unseen is fresh, exciting and creative, and one of the best recordings of the year.

MIKE LeDONNE – “KEEP THE FAITH” (Straight-ahead organ grooves, with Eric Alexander
playing sax).

Music and More (Tim Niland): The whole album is played quite well and will be a treat for fans of organ based jazz. There are excellent solos throughout the music, but it is the groups compatibility and their ability to work together toward and ego-less common ground that is most noticeable.

MIKE LONGO TRIO + 2 – “TO MY SURPRISE” (Mostly quintet, with some trio tracks, playing
a mix of originals, standards and jazz tunes).

FAME Review: a CD loaded up with nothing but first-rung talent: Bob Cranshaw on bass, Lewis Nash on drums, Jimmy Owens on trumpet and flugelhorn, and Lance Bryant on tenor sax. That's it. No guest sit-ins other than that '+2'. No sweetening. Just a quinteted-up trio playing its extremely sophisticated brains out.

RENE MARIE (FB, @manaymanee)– “BLACK LACE FREUDIAN SLIP” (Female vocalist, doing straight-ahead
originals).


Blogcritics.org (David Bowling): Rene Marie may not be a well-known name, but she has quietly built a catalogue of music that can match most jazz singers active today. If you are in the mood for some interesting and well sung jazz, then Black Lace Freudian Slip is an album for you.

NEW TRICKS (FB, @NewTricksJazz)– “ALTERNATE SIDE” (Pianoless quartet, doing progressive originals).

AllAboutJazz.com (Greg Simmons):

Here's something you don't read in album liner notes every day: "We recorded in Shawn's apartment...using only blankets wrapped around music stands for audio separation." New Tricks has seemingly recorded Alternate Side... in some no-frills circumstances, but there's truth in the old saying that adversity sometimes brings out the best in people. This piano-less collective, featuring a trumpet and tenor sax front line, plays an energetic brawl of traded solos, hard bop melodies, and freely constructed harmonization. Likely because of the way it was recorded, Alternate Side... has a live-in-studio feel to it—four guys just playing in a room—and they sound like they're really enjoying the session. The result is a truly creative record that trades in spontaneity rather than polish.

BILL O’CONNELL – “TRIPLE PLAY PLUS THREE” (Pianist, backed by all-star Latin
musicians, doing mostly originals).

ZohoMusic

JASON ROBINSON AND ANTHONY DAVIS – “CERULEAN LANDSCAPE” (Progressive
collection of originals).

HOLLI ROSS – “YOU’LL SEE” (Female vocalist, backed by an all-star band, doing standards
and 2 tunes she co-wrote with Claudio Roditi).

THE SPOKES – “NOT SO FAST” (Horn trio, playing an eclectic, progressive mix of originals).

TUNNEL SIX – “LAKE SUPERIOR” (Sextet, doing an edgy mix of band originals).

UMOJA – “DANCE OF THE KALAHARI” (Straight-ahead collection of originals, with Afro-
Cuban subtext).

TNJT Session Notes For Monday October 3 2011
Blog Name: The New Jazz Thing with Vince OutlawAuthor: Vince Outlaw Posted on: October 1, 2011
Taking notes for TNJT on Monday, October 3, 2011....

Here are the 2011-10-03 Adds To The Jazz 88 Music Library which we will be playing as much as we can from:
"...familar names (Benson, Scofield, McBride),  upcoming interviews/shows (Stanley Jordon on TNJT 10/10, at Anthology 10/14), old friends (Ali Ryerson played Jazz Live San Diego September 2006), big band (!), guitar, vocal (Milman!), and more!"

I will be chatting with Jacob Fred Jazz Odyssey pianist Brian Haas about their new Race Riot Suite disc (added @Jazz88 8/29/11) and upcoming 10/5/11 UCSD Loft gig.(with ultra cool special guests Peter Apfelbaum, Mark Southerland, UCSD Professor David Borgo, Yvette Jackson, and Andy Geib (Wise Monkey Orchestraj....this is going to be one wild adventurous concert!!!) Cool!


Interview Online NOW! http://jazz88.org/programs/The_New_Jazz_Thing/

Next Week (10/10/11) - Double whammy Jazz Innovator Interviews with Gary Burton (plays Neurosciences 10/12) and Stanley Jordan (plays Anthology SD 10/14)!

Last Week (9/26/11) - Interview with Sammy Figueroa about his New "Urban Nature" available to listen to online!
2011-10-03 Adds To The Jazz 88 Music Library
Blog Name: Jazz 88.3 Library Blog - New This WeekAuthor: Vince Outlaw Posted on: October 1, 2011
The New discs being added to the Jazz 88 Library this week include familar names (Benson, Scofield, McBride),  upcoming interviews/shows (Stanley Jordon on TNJT 10/10, at Anthology 10/14), old friends (Ali Ryerson played Jazz Live San Diego September 2006), big band (!), guitar, vocal (Milman!), and more! I'll be debuting much of this on The New Jazz Thing with Vince Outlaw, Monday October 3, 2011 6-8 PM PT...Listen Now!

GEORGE BENSON (FB, @GBGuitar) – “GUITAR MAN” (Mix of contemporary and straight-ahead tunes,
with some vocals. A mix of old and new standards).

Guitar International (Vince Lewis): George Benson is a true chameleon, but mostly one of the finest jazz guitarists of all time. His masterful interpretation of pop tunes and jazz standards has long been a source of inspiration to aspiring musicians. He has been active for over five decades and has over 30 recordings as leader, and to top it off, he’s been awarded ten Grammy awards. His ability to cross over into the “commercial” arena while still maintaining a quality improvisational approach is matched only by the late Wes Montgomery. Benson’s moving vocal stylings are developed from his terrific sense of instrumental phrasing, and they are equally impressive. This recording is a “must have” for any George Benson fan. It is also a terrific introduction for those listeners who may have grown up just a little later than some of us. It is an opportunity to hear a fine musician and vocalist do what he does best…a variety of crowd pleasing but substantive material.

MAUREEN CHOI (FB,@MaureenChoi) – “QUARTET” (Violinist, leading a quartet, doing a mix of straight-
ahead originals and standards).

JazzCorner.com (Robert Sutton): It's like a siren's call, a lush, hypnotic melody that reels in the senses and then stimulates them. The sound of Maureen Choi's violin has that kind of effect. On the Maureen Choi Quartet's self-titled latest album, the worlds of classical and jazz unite in a harmonious marriage, and her gorgeously expressive violin is the bridge that connects them.

CECILIA COLEMAN BIG BAND – “OH BOY!” (All original big band swingers).
AllAboutJazz.com (Edward Blanco)Cecilia Coleman never set out to become a big band leader, stating that it was "never a dream of mine to have a big band," but the Cecilia Coleman Big Band is her new reality—and Oh Boy!, what a swinging affair, this very first recording effort turns out to be. This is classic big band music infused with a bolt of raw energy and mounds of excitement.
STANLEY JORDAN
(FB) – “FRIENDS” (Virtuoso guitarist, doing a mix of contemporary
tunes and straight-ahead standards).

AllAboutJazz.com (Larry Taylor): His virtuosity and improvisational prowess are a given, and on Friends, he also shows his skill on piano on two numbers. Primarily, he brings in old pals from various backgrounds and delivers terrific arrangements, ranging across the jazz spectrum, mixing in originals with swing, post bop, samba, blues, pop and a couple from Bartók and Chopin. Jordan makes roughly two appearances with each main guest, with all the pairings in different styles; all are great. In a press release, Jordan says that this collection truly speaks to his belief that ..."when you integrate styles, you combine them into something new while still remaining true to the original sources." His best argument is this recording.
KEVIN KIZER QUARTET – “ASPECTS” (Saxophonist, leading a quintet with violin
and guitar, doing and edgy collection of originals).


LISA MAXWELL (FB)– “HAPPY” (Female vocalist, doing the Great American Songbook).

Jazz Lives: Lisa has all the virtues any singer could ask for. Her voice is appealing; her rhythm glides; her phrasing is all her own. She knows that each song is its own little playlet. Without dramatizing, she lets the song itself take center stage.

CHRISTIAN McBRIDE (FB, @McBridesWorld) BIG BAND – “GOOD FEELING” (Swinging, straight-ahead
big band, with 3 vocals by Melissa Walker).

AllAboutJazz.com (Something Else!): there is the sense that this record has been percolating for some time and, like most worthwhile things that are given that chance, The Good Feeling is far better for it.


SOPHIE MILMAN (FB, @SophieMilman)– “IN THE MOONLIGHT” (Female vocalist, doing a nice mix of
standards).

Exystence: Milman covers the full range of styles without ever leaving the romantic jazz oeuvre.Throughout In the Moonlight, Milman’s voice is it‘s great asset, giving the songs a light sexy touch. She has a voice I can listen to all day, but that lets the songs shine. And while it’s nothing you haven’t heard before, it’s one of the better examples of the vocal style.


CAROL MORGAN QUARTET – “BLUE GLASS MUSIC” (Pianoless quartet, doing a
mix of standards and originals).

As she was en route to the studio on that beautiful spring day, the world took on a new look. The warm, sunny, vibrant colors were all shaded in a lovely and surprising way. She kept remarking about it, and one by one, the musicians all tried on the blue glasses. At some point, while listening to a playback, Carol remarked, “Blue Glass Music.” Just another example of why Carol Morgan is one of my heroes. That emotional availability, that “in the moment” mentality is exactly what makes her such a unique voice in jazz, and of course, exactly what we all should be striving for. It keeps me coming back again and again.

ALI RYERSON“CON BRIO!” (Flutist, leading a session of originals and standards).

Ali Hits Home With A New Flute...: Working with an old friend, Pete Levin -- keyboard player for the legendary Gil Evans Orchestra -- the two decided to make the CD a more integrated piece of music, rather than just a collection of standards. The musicians on the recording -- Ryerson, Levin, vibraphonist Mike Mainieri, guitarist Mike DeMicco, bassist Egan and drummer Danny Gottlieb -- are all great musicians, "I mean Danny Gottlieb and Mark Egan were Pat Metheny's original rhythm section,'' Ryerson said.

JOHN SCOFIELD – “A MOMENT’S PEACE” (Usually edgy guitarist, in a relatively
subdued session, featuring mostly standards).

AllAboutJazz.com (John Kelman): A Moment's Peace might be perceived by some, a least on the surface, as an album of little risk—without Scofield's usual fire and grease, set that might appear to coast when it ought to soar—but it may well be Scofield's biggest gamble. Those prepared to accept the album on face value, as an hour's respite from life's normal hustle and bustle—or, who are patient enough to dig deeper for its beyond-the-norm look at a handful of potentially worn-out standards, here reinvigorated; a quintet of perfectly dovetailing originals; and a couple of truly surprises song choices—will find plenty to love about A Moment's Peace—an album whose greatest charms are revealed not after one or two listens, but after ten or twenty.

MATT SLOCUM “AFTER THE STORM” (Drummer, leading a trio with pianist
Gerald Clayton, with a mix of standards and originals).


REUBEN WILSON TRIO – “REVISITED” (Organist, grooving standards and originals).
2011-09-26 Adds To The Jazz 88 Music Library
Blog Name: Jazz 88.3 Library Blog - New This WeekAuthor: Vince Outlaw Posted on: September 24, 2011
Here's the New adds to the Jazz 88 library to be debuted on The New Jazz Thing on Monday, September 26, 2011 between 6 and 8 PM PT.

SYLVIA BENNETT (@SylbiaBennett)– “SONRIE” (Female vocalist, singing the Great Latin Songbook in
Spanish).

AllAboutJazz.com (about 2010 English version?): Within the genre of gentle jazzy love songs, Bennett's treatment of this music delivers a musical experience sure to draw a well-deserved Smile.

CHICK COREA (@ChickCorea) / STEFANO BOLLANI (FB, YouTube) – “ORVIETO” (Pianists, performing live, doing
a mix of originals, standards and improvisations).

AllaboutJazz.com (John Kelman): Unlike most duo recordings, Bollani and Corea are not split into left and right channels; instead, the two instruments converge towards the center of the mix from lower register to upper, giving Orvieto an even greater "you are there" feeling—but "there" isn't in the audience, it's right up there with the pianists. Those familiar with either player will have no difficulty in identifying them here; for those who aren't, does it really matter? Instead, it makes Orvieto all the more appreciable for its remarkably empathy, telepathy and synchronicity—symmetry, even, at times—less a duo, and more the remarkable melding of musical minds for a most singular purpose.

CARLO DE ROSA’S CROSS-FADE – “BRAIN DANCE” (Bassist, leading a quartet,
doing progressive originals).

AllAboutJazz.com (Mark F. Turner, March, 2011): There are "musician-for-hire" gunslingers—professionals employed at a moment's notice to bring their skills to a gig or recording. But the mercenary analogy is only a small part of their repertoire, as many of these invaluable side musicians are leaders and composers just awaiting the opportunity to release their own material. Such is the case with Brain Dance, by bassist Carlo De Rosa, who has performed with The Chico O'Farrill Afro Cuban Jazz Orchestra, Yo-Yo Ma, Rudresh Mahanthappa, and many others.  Of the seven tracks, "Terrane / A Phrase" is the most revealing of De Rosa's abilities: a contemporary opus of expansive writing and improvisation, filled with extensive individual spots, aerial flight patterns, and harmony and dissonance. Its conclusion prompts the question of why it's taken De Rosa so long to record this music. More, please.

ESP (@ESPJazz, FB) – “REACH” (Not the San Diego band, doing all originals with a mix of straight-
ahead and contemporary).



TIM HORNER – “THE PLACES WE FEEL FREE” (Very nice straight-ahead session,
with a variety of band configurations, doing all originals).

Mark Sherman's Blog (the vibest on the date): Horner not only writes in an assortment of time feels, he plays each style with the up-most capability. He is one of our modern masters when it comes knowing what the music needs from the rhythm section. His contributions are played with passion and conviction! His time feels so good. It makes you want to play if you’re a musician. It makes you want to move if you’re a listener. He is a superb musician!

CLAY JENKINS QUARTET – “GOOD SIGNS” (Trumpeter, leading a quartet, doing
mostly straight-ahead originals).


DAVID LINX / RHODA SCOTT / ANDRE CECCARELLI – “ROCK MY BOAT” (Male
vocalist, with an unpretentious style, doing mostly straight-ahead originals).


TISH ONEY (@TishSings)– “SWEET YOUTH” (Female vocalist, with guitar accompaniment, doing
a mix of standards and originals).

TED ROSENTHAL TRIO – “OUT OF THIS WORLD” (Piano trio, doing all straight-
ahead standards).
AllAboutJazz.comOn Out Of This World (Playscape Recordings), the new collection featuring Rosenthal on piano, bassist Noriko Ueda and Quincy Davis on drums, 10 timeless classics from the golden era of American song craft are rendered in an impeccably lyrical, colorful manner that compels the listener to rethink them. Rosenthal and crew embrace the familiar tunes—reliable standards like “Embraceable You," “People Will Say We're In Love" and “Cry Me a River"—and, without ever losing sight of the melody at the heart, reimagine them from the ground up. Rosenthal thrives on re-creating these cultural cornerstones in his own image.

PONCHO SANCHEZ AND TERENCE BLANCHARD – “CHANO Y DIZZY!” (Two
modern day icons, paying tribute to the progenitors of Latin Jazz).
Latin Jazz NetworkWhile the album includes songs originally written and performed by the two legends, it also showcases compositions crafted by other writers that capture the flavor of traditional Latin jazz. “To me, Latin jazz is the world’s greatest music,” says Sanchez. “It has the melodic and harmonic sophistication of jazz and American standards, and the flavor and energy of Latin American music. What I’m most proud of is that this music – while it may sound exotic at times – is from America. It was born in New York City, when Chano Pozo met Dizzy Gillespie for the first time in the mid-1940s. They created something that didn’t exist before in this country. I’m very proud to take this music all over the world all the time.”



STARLICKER – “DOUBLE DEMON” (Rob Mazurek, leading a trio, doing all
progressive originals).

PopMatters (John Garratt)If you are able to keep up with Chicago trumpeter Rob Mazurek’s various side projects, you will know that his new band Starlicker is comprised of three members from his Exploding Star Orchestra. So if you take a 14-piece supernova group and reduce it to a trio, you have something that licks stars. Do with that what you will.

JOHN STOWELL & MICHAEL ZILBER – “SHOT THROUGH WITH BEAUTY”
(Guitarist and saxophonist, leading a quartet, with an edgy mix of originals and
standards).
The Urban FluxMaster musicians guitarist John Stowell and saxophonistMichael Zilber team with the Bay Area’s first-call rhythm team of bassist John Shifflet and drummer Jason Lewis, crafting a unique and dynamic recording of modern jazz that transcends the whole. Telepathic exchanges are in abundance as the group tackles a compelling mix of originals and compositions from Kenny Wheeler & John Scofield.

CORY WEEDS – “JUST LIKE THAT” (Typical straight-ahead grooves from this
saxophonist, doing mostly originals).

CDBabyCory Weeds is at it again this time featured on the alto saxophone with the stellar piano trio led by pianit Tilden Webb backing him up. It features award winning bassist Jodi Proznick and drummer Jesse Cahill. An eclectic mix of originals, a swinging standard and a reworking of a classic John Hiatt tune.

Plus...coming up 10/3....

George Benson - "Guitar Man"
Chico Hamilton - "Euphoric"
Reuben Wilson Trio - "Revisited"
Cecilia Coleman Big Band - "Oh Boy!"
Ali Ryerson - "Con Brio!"
Kevin Kizer Quartet - "Aspects"
Session Notes for Monday September 12 2011
Blog Name: The New Jazz Thing with Vince OutlawAuthor: Vince Outlaw Posted on: September 12, 2011
Tonight on the show...
  • Josh Nelson joins us by phone in Hour 1 to chat about his New "Discoveries", added last week. He also played with Allison Adams Tucker @Jazz88 OBMusicFest this past weekend and was wowing us all!
    • JOSH NELSON (FB)– “DISCOVERIES” (Pianist, leading a variety of configurations, doing
      all but one straight-ahead originals).

      Critical Jazz: Cerebral jazz? In an incredibly unique if not personal release, Nelson takes his appreciation for the writings of Jules Verne among others and transforms this literature into a conceptualized presentation of sonic imagery that lives and breathes on its own. An incredibly thoughtful organic pulse drives the forward motion of this sonic adventure with great care and artistic touch. Nelson's music is (for me) not Ipod friendly, no good jazz worth listening to is. "Discoveries" contains intricate and involved interplay between Nelson and his musical companions that is exciting, fresh and alive to the point where mere headphones could not possibly transfer the musical experience adequately.
  • Tierney Sutton chats with us in Hour 2 of The New about her latest "American Road", also added last week 9/5/11.
    • TIERNEY SUTTON – “AMERICAN ROAD” (Female vocalist, doing a mix of show
      tunes, gospel and Americana).

      Critical Jazz: Organic but deep rooted in tradition this exquisite release is perfect from start to finish."...take on her own unique, slightly eclectic but incredibly accessible spin on the Great American Songbook thus releasing an almost instant classic."
      Challenge Records: “We first started looking at an ‘America’-themed CD three or four years ago,” says Sutton, whose vocal style has been described as “soft as silk and smooth as fine bourbon” by the Chicago Sun Times. Circumstances led the group in a different direction at the time, the result being 2009’s Desire, which earned the group its third consecutive Grammy nomination for Best Vocal Jazz Album.

      But the concept that gave ultimately gave rise to American Road stayed with Sutton and the band—Christian Jacob (piano), Kevin Axt (acoustic and electric bass), Trey Henry (acoustic and electric bass) and Ray Brinker (drums and percussion)—until, having spent countless days and nights traveling America’s roads and playing in her towns and cities, they were able to finally bring it to fruition. All of the arrangements on American Road were conceived by the entire band, which, said The New York Times, has “refined the kind of rapport that could only be achieved over time…providing a continuous flow of support, strength and inspiration.”
  • Playing as much of the 2011-09-12 Adds to the Jazz 88 Music Library...digging seeing Bill Frisell doing John Lennon, Joan Stiles new one, San Diego vocalist Sharon DuBois, and more!
  • We'll also be following any news about San Diego's Joshua White who is one of 3 finalists for the Thelonious Monk Jazz Competition being performed, judged, and awarded TONIGHT in Washington DC. Go Joshua!!
Donate to Jazz 88.3
Listen to Jazz Radio
Click +1 if you like this song
Jazz 88.3 Wine Club City College Student Radio
KSDS HD2
Listen Live
Pat Launer's Center Stage
Listen to Jazz 88.3 with our FREE
Smartphone Apps
Jazz88 iPhone App
Click on the +1 button
if you like this page
KSDS Jazz 88.3 is a non-profit 501c3 organization, a part of the San Diego City College Foundation.
Playlist Archive is a service of NetChain Communications, Inc.
NetChain CommunicationsSearch Engine OptimizationSearch Engine PlacementHostingHSA ConstructionAccess My ComputerSan Diego Web Site DesignWeb FrameworkSharco TechnologyBiorhythm CalculatorAndrey ShamilovWeb Site Design - San DiegoAndrey PhotographyContent ManagementPhoto GalleryExcess InventoryDigital Photography NewsLev ShamilovObsolete, Hard-To-FindCross Reference SpecialistSan Diego Computer ServiceCarlsbad Computer RepairElectronic Parts ComponentsDr. Gundry's Diet EvolutionAvocado OilAuto Body Repair in PasadenaCreation vs. Evolution DVDBiorhythm WaveformsKenpo Connection by Herb PatusKarate and the ChristianKenpo Self DefenseFederal Jazz ProjectLaguna Canyon WineryMartin Ray and AngelineSan Joaquin WineManzanita CreekEmployee Performance ProgramsEmployee Safety Awareness ProgramsSales Awards Incentives RecognitionEmployee Service Award ProgramsEmployee Safety Awareness Stamp ProgramsEmployee Safety Performance Milestone ProgramsPositive Safety AwarenessJazz CatalogMother BellMother BelleEmployee RecognitionSana Designs