Here's what's going into the New section of the Jazz 88 Music Library this next week and will be debuted during The New Jazz Thing on Monday, August 22, 2011, 6-8PM PT...Tune In!!. It's all about the New!
LAILA BIALI (@LailaBiali, FB)- "TRACING LIGHT" (Female vocalist/pianist, with a straight-ahead mix of standards, obscure tunes and originals).
Israbox: "Laila Biali has had quite a year Ė a new gig as backing vocalist with Sting, a new baby and now a new CD. Tracing Light is the third solo album for the Vancouver-raised, Toronto- and New York-based performer and composer." NORMAN DAVID & THE ELEVENTET (FB)- "AT THIS TIME" (Large ensemble, doing all straight-ahead originals).
Free MP3 AllAboutJazz.com: "David has been leading this group for a few years, and as they find their groove and release their first CD, At This Time
(Norman David/Coolcraft, 2011), they are deservedly being heard all
over the Delaware Valley and beyond. They deliver a relentlessly
swinging and ear-popping sound while at the same time offering nuances,
subtleties, and creative ideas that generate interest for the more
serious listener. David's lightly leavened "emcee" persona is deceptive,
dissimulating as a somewhat shy suburban outcast, with wry humor so bad
that it's good. Thus, it's a shock at first to hear how well this band
delivers its grooving sophisticated sounds. David, known also as a
clarinetist, plays a mean soprano sax with this band, while contributing
superb arrangements of originals and standards that evoke echoes of
great predecessors (for example, the Maynard Ferguson band, as well as shades of Duke Ellington, Glenn Miller, and the Gerry Mulligan
Concert Jazz Band, perhaps its closest ancestral cousin), while
maintaining a distinct sound of its own. That sound has the precision,
timing, and expression of a small group along with the dynamic energy of
a big band."
Digital Jazz News: Sammy spent roughly two decades in New York working with the likes of
Miles Davis and Sonny Rollins with whom he is currently touring. One day
Sammy decided to roll the musical dice and he headed to South Florida.
Figueroa landed firmly in the middle of one of the hottest Latin jazz
scenes anywhere which naturally jump started his musical creativity
which has earned the two Grammy nominations previously mentioned and
with this release perhaps the third time will indeed be the charm! MIKE GARSON (@MikeGarson, FB) - "THE BOWIE VARIATIONS" (Nice solo interpretations of the music of David Bowie, for whom Mike used to play).
Independent Ethos - Mike Garson talks about David Bowie Variations (interview with Hans Morgenstern: "I had been thinking about the Bowie album for a very long time, and I
was thinking of doing it as a jazz treatment with a band and guitar and
sax, but that didnít feel good. I was thinking of doing covers with a
lot of great singers I worked with, and that didnít fly for me. So each
time Iíd let it go for months and months. I even talked, 10 years ago,
to Tony Visconti
[a longtime producer of Bowieís albums] about a concept, and he was
into it, but some record company at the time, I donít know who they
were, they didnít have the budget I was looking for, and I was not going
to do it with a small budget. It had to be done right. Then, a good
friend of mine whoís a journalist in France and also a singer/songwriter
and has written a book on David Bowie, his name is JérŰme Soligny,
he said, ĎMike, the obvious thing is playing solo piano. Just play the
music how you feel,í and I said, ĎJesus, why didnít I think of something
so simple?íĒ (laughs).So itís a very honest album, Hans Ö because thatís all I do. Iím an improvising musician." GIACOMO GATES - "THE REVOLUTION WILL BE JAZZ" (Vocalist, with straight-ahead interpretations of the music of Gil Scott-Heron).
Jazz Wax (Marc Myers): You listen to this album and it could easily have been recorded
in 1964. Giacomo brings a Greenwich Village feel to this musicóthe
summer strum of acoustic guitars in Washington Square, the gentle energy
of Vespa scooters and the toy-like grind of the old VW Bug engine
accelerating at a traffic-light change.
Amazon.com: For their second Half Note issue, the power trio of Donald Harrison, Ron
Carter and Billy Cobham declare themselves spokesman for a kind of
exploratory improvisation and interplay known only to seasoned jazz
professionals. Staunch individualists all, they come together with a
unified voice - at once steeped in jazz's richly variegated traditions
yet forward-thinking in the cause of new creative expression. The group
play here is all about a stylized vision of call and response, featuring
guys with excellent listening skills and the means to keep the
ROGER HUMPHRIES - "KEEP THE FAITH" (Drummer, leading mostly a quintet, in a straight-ahead session).
CDUniverse: "It's not about me. It's about the music,"
says Roger Humphries. "I've had the idea to do this album for a long
time. It was just a matter of getting the right tunes and the right
flow." The album is entitled "Keep the Faith" and appropriately reflects
Roger's deep and abiding respect for the musical gift he has and his
ability to share that gift with others. His name and his musical
reputation as a national and international icon are why we as a
listening audience or fellow musicians understand Roger when he says,
"It's about the music."
CDBaby: The CITYSCAPE album is like a
musical tour through the neighborhoods of a major city. THE WALK is a
jazz-rock piece with a catchy melody and a good beat. SPENDING TIME WITH
YOU is an upbeat Bossa Nova with a good hook. You will find yourself
singing this melody. GLIDING is a Jazz Waltz that is free-flowing
similar to a bird soaring through the air. BAJA CALIENTE is Hot, Hot,
Hot. This Latin Jazz piece makes you want to get up and dance. CITY
LIGHTS is a Straight Ahead jazz piece that gives you the feel of going
out for a night on the town. SANTA MONICA SUMMER is a Bossa Nova with a
happy sound that feels a summer vacation. LONELY CITY has a haunting
melody and beat. It gives you the feeling of being alone in a new city
and not knowing anybody yet. BLUES FOR DARLENE is not really a blues but
rather an upbeat Samba that is sure to have you dancing in your seat.
WALKIN' THE PARK is just what the title says like a walk in the park.
This Reggae-Swing piece will have you visualizing a day in the park with
all of the families having picnics and enjoying the day. TIME SQUARE is
like a trip back into the city with all the hustle and bustle you might
find in Time Square. FUNKIT is a funk tune that sounds like it could
have come out of the 70's, it's got a good strong beat that's sure to
get you moving. LA CABANA is a Bolaro that was written on a beach in
Mexico during a vacation. SWINGADELIC (FB, YouTube) - "THE OTHER DUKE-TRIBUTE TO DUKE PEARSON" (Big band versions of Duke Pearson compositions).
AllAboutJazz.com (Dan Bilawsky): Another Duke served as an A&R man for Blue Note records from 1963 to
1971, performed as a sideman on piano on a slew of recordings for the
label during this period, wrote such classics as "Cristo Redentor" and
"Idle Moments," and released a string of fabulous, but underappreciated
recordings under his own name. This Duke often gets slighted or
overlooked, but not this time." "The genesis for this project was bassist Dave Post's love for Pearson's
music, but the entire band and its regular audience at Maxwell's in
Hoboken, New Jersey, had no trouble buying into the pianist's
compositions, so an album-length tribute seemed to be in order." CEDAR WALTON (FB)- "THE BOUNCER" (Pianist, leading a quintet, in another solid straight-ahead session, doing mostly originals).
BBC (Martin Longley): The Bouncer "is totally not a security guy," says Cedar Walton, the venerable 77-year-old Texan jazz-pianist whoís played beside John Coltrane, Max Roach and Art Blakey.
This latest documentation of his art opens with a title-track thatís
spirited and, yes, bounces along with a bright, airily optimistic
swagger, rippling with ebullient horns. This is how Walton's using the
term, and his description remains apt for the entire disc. MIGUEL ZENON (FB, @MiguelZenon, YouTube )- "ALMA ADENTRO: THE PUERTO RICAN SONGBOOK" (Saxophonist, doing mostly latin tunes, with some orchestral backing).Schedule: Playing UCSD in November! AllAboutJazz.com (Dan Bilawsky): While calling somebody a "star" in jazz might seem like an oxymoron,
when considering the lower-than-deserved profile of the genre on the
national and international stages, Zenon fits the bill like few others.
As of the recording of this 2011 album, Zenon, only in his early
thirties, has already carved out a place as one of the defining
saxophone voices of his generation. Having already received a Guggenheim
Fellowship and MacArthur Fellowship (a.k.a. the "genius grant") at such
an early age, some feel that he has been wrongfully fast-tracked in a
genre where the experience of elders is usually prized over the
enthusiasm and creative spirit of youth; but his solo albums and
continuing work with the SFJAZZ Collective, as the only remaining
charter member of that groundbreaking group, have confirmed how
deserving he really is of all of the positive press, awards and honors
that have been thrust upon him.