September 2, 2011
|Here's the new batch of music being added to the Jazz 88 Music library and playlist, debuting on The New Jazz Thing with Vince Outlaw on Monday, September 5, 2011 6-8 PM PT!|
ROY ASSAF / Ronen Itzik / Jorge Roeder / Augmented Reality (FB, Reverbnation) – “AUGMENTED REALITY” (Pianist first session leading a trio. Mostly
About.com (Jacob Teichroew): Augmented Reality is lush and yet subtle, and with a range of
stylistic influences, it achieves a sophisticated, understated presence.
It is exciting to imagine how the music will sound as the band grows
more seasoned around it, begins to take bigger risks while continuing to
use melody as its inspiration.
CHRISTIAN FABIAN – “WEST COAST SESSION” (Bassist, leading a core trio, with
all-star guests, doing straight-ahead originals and jazz tunes).
NICOLE HENRY (FB, @nicholehenryjazz, YouTube) – “EMBRACEABLE” (Female vocalist, doing a mix of standards,
blues and new tunes).
AllAboutJazz.com (Larry Taylor): With the release of her fifth album, Embraceable, vocalist Nicole Henry pleasingly brings together a range of styles—smooth and mainstream jazz, along with pop and gospel. Henry's stated mission with this record is to take large steps in new
directions, and she accomplishes this with a sweet, accessible voice
that serves up lyrical ballads, as well as dishing out large helpings of
soulful blues and gospel.
JAKE HERTZOG (FB, YouTube) – “EVOLUTION” (Extreme electric guitar).
The Jazz Word: Jake Hertzog, now with a handful of recordings under his belt, is one of
the very few prolific young guitarists to convincingly embrace the
potential of blending a jazz and rock style of performing. What stands
out in Hertzog's playing, aside from a comprehensive knowledge of his
instrument, is a willingness, regardless of style, to put it all on the
TIM MAYER – “RESILIENCE” (Saxophonist, with many all-star guests, doing a
collection of straight-ahead jazz tunes).
Mitch's Muse: Mayer's platter swings from the get-go. A few tracks have additional players
for a richer sound-a bit plush, a hair away from lush, with thoughtful
yet vigorous arrangements in the vein of Tadd Dameron, Don Sebesky, and
pre-1965 Gil Evans.
JOSH NELSON (FB)– “DISCOVERIES” (Pianist, leading a variety of configurations, doing
all but one straight-ahead originals).
Critical Jazz: Cerebral
jazz? In an incredibly unique if not personal release, Nelson takes his
appreciation for the writings of Jules Verne among others and
transforms this literature into a conceptualized presentation of sonic
imagery that lives and breathes on its own. An incredibly thoughtful
organic pulse drives the forward motion of this sonic adventure with
great care and artistic touch. Nelson's
music is (for me) not Ipod friendly, no good jazz worth listening to
is. "Discoveries" contains intricate and involved interplay between
Nelson and his musical companions that is exciting, fresh and alive to
the point where mere headphones could not possibly transfer the musical
BOB SHIMIZU (YouTube, – “FIRST & MONROE” (Guitar-led contemporary jazz session).
CDBaby: On this outing, Bob Shimizu
has shown real bravery by not allowing the influence of the Smooth Jazz
broadcast idiom's whimsical rules or, the tradition and "commandments"
of the Jazz Police to alter the musical vision. Bob Shimizu has simply
recorded a true contemporary jazz record in the most honest sense and,
most importantly, he's simply made great music!
TIERNEY SUTTON – “AMERICAN ROAD” (Female vocalist, doing a mix of show
tunes, gospel and Americana).
Critical Jazz: Organic but deep rooted in tradition this exquisite release is perfect from start to finish."...take on her own unique, slightly eclectic but incredibly accessible spin
on the Great American Songbook thus releasing an almost instant
Challenge Records: “We first started looking at an ‘America’-themed CD three or four years
ago,” says Sutton, whose vocal style has been described as “soft as silk
and smooth as fine bourbon” by the Chicago Sun Times. Circumstances led
the group in a different direction at the time, the result being 2009’s
Desire, which earned the group its third consecutive Grammy nomination
for Best Vocal Jazz Album.
But the concept that gave ultimately
gave rise to American Road stayed with Sutton and the band—Christian
Jacob (piano), Kevin Axt (acoustic and electric bass), Trey Henry
(acoustic and electric bass) and Ray Brinker (drums and
percussion)—until, having spent countless days and nights traveling
America’s roads and playing in her towns and cities, they were able to
finally bring it to fruition. All of the arrangements on American Road
were conceived by the entire band, which, said The New York Times, has
“refined the kind of rapport that could only be achieved over
time…providing a continuous flow of support, strength and inspiration.”
BILLY WHITE – “FIRST THINGS FIRST” (Straight-ahead octet, doing all originals).
AllAboutJazz.com (Dan Bilawsky): First Things First is as apt a name for a debut album as
anybody could come up with. While this marks pianist Billy White's first
leader date, he already has plenty of impressive musical experience
under his belt: spending his college years earning a degree in
ethnomusicology from UCLA; working with a jazz/hip-hop hybrid group
Heezbus, while living in Paris; studying Gnawa trance music in Morocco;
and writing some music for films. Eventually, the San Francisco native
landed in Brooklyn, NY and began focusing his attention on writing and
playing piano. This album is the fruit of that labor and it's rife with
exciting compositions and strong group interplay.
CHIP WHITE – “More DEDICATIONS” (Drummer, leading an all-star band,
doing his originals, with a disc of poetry included).
CDBaby: This recording is Chip’s
fourth as a leader and composer. The others are "Harlem Sunset"
(Postcards, 1994), "Music and Lyrics" (Dark Colors, 2005), and "Double
Dedication" (Dark Colors, 2008). The poems on Chip’s CDs come from his
book of more than 100 poems for famous jazz musicians, "I’m Just the
Drummer in the Band."
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