SAN DIEGO'S
San Diego's Jazz

November, 2011

Pat Martino Interview on The New Jazz Thing Monday November 28 2011
Blog Name: The New Jazz Thing with Vince OutlawAuthor: Vince Outlaw Posted on: November 28, 2011
Coming up Monday, November 28, 2011 6-8 PM PT on The New Jazz Thing with Vince Outlaw on Jazz 88!

2011-11-21 Adds To The Jazz 88 Music Library
Blog Name: Jazz 88.3 Library Blog - New This WeekAuthor: Vince Outlaw Posted on: November 20, 2011
New music being added to the Jazz 88 Playlist Monday, November 21, 2011 and debuted Monday, 11/21/11 6-8 PM PT on The New Jazz Thing with Vince Outlaw: Luis Disla, Hal Galper Trio, Yoko Miwa, Michael Pedicin, Kate Reid, and Sunnie.

Check out album artwork thumbnails, artist website, Facebook, Twitter, and select album reviews after the jump...
Herb Alpert Interview on The New Jazz Thing Thursday November 14 2011
Blog Name: The New Jazz Thing with Vince OutlawAuthor: Vince Outlaw Posted on: November 14, 2011
Here's what's going down on The New Jazz Thing with Vince Outlaw, Monday, November 14, 2011...

2011-11-14 Adds To The Jazz 88 Music Library
Blog Name: Jazz 88.3 Library Blog - New This WeekAuthor: Vince Outlaw Posted on: November 11, 2011
Here are the tunes picked out for adding to the Jazz 88 Music library this week by Assistant Music Director for Jazz 88 Chad Fox (sitting in for our esteemed director and traveler Joe Kocherhans). We will be debuting as many as we can on The New Jazz Thing, Monday, November 14, 2011.

GREG ABATE - "HORACE IS HERE" - (Straight-ahead tribute album to Horace that consists of all standards, re-
harmonized with new/fresh arrangements).


RAY CHARLES (FB, @RayCharles_TM ) - "SINGULAR GENIUS / THE COMPLETE ABC RECORDINGS" – (No description really
needed, but as the title implies, this is a compilation of hits and B-sides during this prolific period, 1960-1972).

Blogcritics.com (Greg Barbrick): While preparing to review the new Ray Charles box set, Singular Genius: The Complete ABC Singles, I had a look at what Dave Marsh had to say about Charles in 1978. In essence, his opinion was that Ray had committed virtual artistic suicide by leaving Atlantic Records for ABC-Paramount in 1959.

Wow. Maybe the guy was suffering from some form of rock-crit inferiority complex or something, because nothing could be further from the truth. The set contains 106 tracks, laid out over the course of five CDs, and presents a pretty convincing case that Ray’s time with ABC-Paramount Records was one of the strongest and most productive associations of his career.

TED CLOUSER (@ToddClouser, FB)- "A LOVE ELECTRIC" – Contemporary guitarist, doing an edgy mix of all originals, many cuts
for nights/evenings, but some accessible for AM and afternoons; read the notes).

AllAboutJAzz.com (Chris May): Musicians and painters from the US have long since been relocating to Mexico, hoping to deepen their art through immersion in a slower pace of life. Guitarist Todd Clouser is a recent emigré, who moved south in 2006. A Love Electric is his third post-relocation album. It catches him in transformation from a straight ahead rock player to one embracing jazz—specifically, hard bop and the Rhodes-spiked crossover of pianist Herbie Hancock and trumpeter Miles Davis' early 1970s bands—and old-school rhythm & blues.

EVAN COBB (@EvanCobbJazz, - "FALLING UP" – (Nashville-based saxophonist, featuring a set of eight original straight-ahead
tunes in a quintet setting; debut release).


AMIR ELSAFFAR (@AmirElSaffar, FB) - "INANA" – (Trumpeter-led outing, doing all progressive originals with influences of Middle
Eastern music. Follow-up to his critically acclaimed 2007 release, Two Rivers; recently added to the progressive
drawer. Check it out as well).

AllAboutJazz.com (Troy Collins): Named after the ancient Mesopotamian goddess of carnal love and warfare, Inana blends the ceremonial intensity of maqam with the polyphonic melodies, contrapuntal harmonies and syncopated polyrhythms associated with sophisticated jazz structures. More fully realized than many similar ethnic fusions, ElSaffar's incorporation of maqam's microtones, flexible pitches and meter-less bar lines yields a highly personalized language that reaches well beyond the confines of Western pedagogy for inspiration. Gracefully poised between two worlds, Inana builds upon ElSaffar's previous accomplishments, establishing an impressive precedent for the creative possibilities of a new global jazz aesthetic.

DELFEAYO MARSALIS (@Delfeayo, FB) - "SWEET THUNDER" – (Acclaimed trombonist, backed by a variety of all-star
personnel, streamlining Ellington & Strayhorn’s original charts from the 1957 theatrical production of Such Sweet
Thunder.)

AllAboutJazz.com (Edward Blanco):

Acclaimed trombonist and member of the first family of jazz, Delfeayo Marsalis launches Sweet Thunder: Duke & Shak, an original theatrical jazz production culled from live performances in thirty-six locations across the country. The play was born from Marsalis' affinity for the music of Duke Ellington and the poetry of Shakespeare: first brought to the musical stage in the 1957 production of Such Sweet Thunder at the Shakespeare Festival I Stratford, Canada. Both Ellington and Billy Strayhorn were invited to compose music in tribute to The Bard, and came up with 15 compositions for that date.

Sweet Thunder streamlines Ellington and Strayhorn's original charts into a 12-movement suite, bringing an all-star list of players, including brothers Branford and Jason. for the recording.

CHRISTIAN MCBRIDE (@McBridesWorld, FB)- "CONVERSATIONS WITH CHRISTIAN" – (Straight-ahead release with each cut
featuring jazz greats and others, e.g., Corea, Hargrove, Ron Blake, Regina Carter, Dr. Billy Taylor, and oh yes,
an appearance by Sting. Mix of originals & other jazz tunes. Contains 3 vocal tracks).

LATimes Blog (Chris Barton): Bassist/bandleader Christian McBride isn't a guy who likes sitting still. The L.A. Phil's Creative Chair for Jazz from 2006 to 2010, the 39-year-old McBride has recently toured with the jazz-fusion super-group Five Peace Band as well as his throwback acoustic ensemble Kind of Brown, which released a sharp debut in 2009. This year marks another active one for McBride with September's rambunctious big-band album "The Good Feeling" and this month's "Conversations With Christian," a collection of duets that rose out of a 2009 podcast series of the same name.
 
JACQUI NAYLOR - "LUCKY GIRL" - (Vocalist/songwriter in a quartet setting, doing a mix of jazz tunes).

GrooveNotes.com:

Fans pick the songs for the album

Jacqui hosted a gathering of about ninety people where she performed twenty-five songs and let the listeners rate them on a scale of 1 to 5. Without exception, the top fifteen rated songs did become the cuts selected for the new album. Jacqui said that there was a little bit of nervousness in letting her fans choose the songs, but when it was all said and done, the fans made excellent choices.

“I think that a lot of the time fans are pretty much right on. At least mine. I feel like they know me. And in this particular case I wanted them to really know my heart in this album, and I think that comes through.”

“Acoustic smashing” continues

Jacqui Naylor made famous what she defined as “acoustic smashing,” or taking a jazz tune and a rock tune, and singing one while the band plays the other in a seamless fashion. On this album, Jacqui smashes Surrey with the Fringe on Top with George Benson’s Breezin.

THE DANIEL ROSENBOOM SEPTET (FB) - "FALLEN ANGELS" – (Progressive release, composed and arranged by
this trumpeter. Some cuts day friendly).

JazzCorner.com: The Los Angeles that Daniel Rosenboom illustrates on his latest album, Fallen Angeles, is a ghost. They're portraits in spectral black and white, a collection of film noir images that unreel with barely contained vigor and explosive imagination.

THE DAVE SHANK QUINTET - "SOUNDPROOF" – (Vibraphonist, known for his fusion style play, leads a
quintet that showcases ten new compositions; all straight-ahead).

Something Else!: The project also includes pianist Barry Miles and drummer Terry Silverlight, a pair who first worked together on Miles’ 1971 fusion delight White Heat. Bassist John Patitucci, a longtime member of Wayne Shorter’s Quartet and former member of Chich Corea’s Elektric and Akoustic bands, was part of the same LA jazz scene with Shank in the late 1980s and early ’90s, but this album is the first time the two have worked together.

RANI SINGAM (FB)- "WITH A SONG IN MY HEART" – (Singapor’s vocalist sensation in Asia with her debut release,
(now out of print), on the JazzNote imprint).

RANI SINGAM first started creating a stir in the Singapore jazz scene in the year 2000 when she started doing performances at corporate parties and community concerts. In 2002, a few prominent Singaporean and visiting American musicians were sitting in the Blue Note in Singapore and one of the musicians put on demo CD of Rani without telling the other who it was. One of the musicians said "hey...this sounds like an early Billie Holliday recording, except that the sound quality is too clear to be from that era." It was then revealed that the recording was by Rani Singam. All present were extremely impressed and they asked someone who knew her to ask her to come down to the Blue Note and perform that very night as a guest!

WADADA LEO SMITH'S ORGANIC - "HEARTS REFLECTIONS" – (2 disc set featuring one of Smith’s many
working bands “Organic”, a fourteen-piece group marked by four guitarist. Sound can be described as part
fusion and part jazz-rock orchestra).

AllAboutJazz.com (Mark Carroto): Organic, one of Smith's numerous working bands, is a continuation of his Yo Miiles! project with guitarist Henry Kaiser, the jazz/rock love child of Miles Davis' electric era. Organic was first recorded as the second disc on Smith's Spiritual Dimensions (Cuneiform, 2009), and is positioned to take Yo Miles! one step beyond with an electric sound that begins with the blues and funk, then evolves into modern composition. Smith also updates the Milesian electric sound with two laptop computer artists,

TYSHAWN SOREY (FB)  - "OBLIQUE - 1" – (Progressive session, led by this drummer/composer, doing all originals.
First drummer to release a record as leader on the PI label).


TRIO THIS - "THAT" – (Collaborative project featuring a traditional mix of originals and re-examinations of works
by Wayne Shorter, Henry Mancini and Les McCann. Note; an earlier 2010 release).
One World with Marcus Rosario: An Introduction
Blog Name: One WorldAuthor: Marcus Rosario Posted on: November 10, 2011
Greetings Jazz 88 listeners far and wide!

My name's Marcus Rosario and since late June of this year, I've been the host of One World, a weekly show devoted to all things world music that airs Wednesday nights into Thursday mornings from midnight until 2am PST. There's been a ton of amazing music I've been playing on the show and I'd like to let you know about some of my favorite new releases!

El Rego - El Rego (Daptone)



When it comes to Afro-soul, Theophile do Rego aka El Rego is one of the greats. With hugely varied influences in sound described as combining "traditional rhythms of Benin, John Lee Hooker-esque blues, Fela Kuti inspired Afrobeat, Afro-Cuban clave and straight up James Brown-style funk," this re-issue is definitely one for the books.



Adanowsky - Amador (Everloving)



If you've ever seen the hugely psychedelic movie Holy Mountain directed by Alejandro Jodorowsky, then you may have heard of his singer-songwriter son  Adan. With this album being his US debut described as being surrealistic and eclectic, many of the songs are lovelorn and seductive, all sung in either English, French or Spanish.



Staff Benda Bilili - Très Très Fort (Crammed Discs)



This album is truly an astonishing piece of work as it was created by a group of paraplegic street musicians living in and around the zoo in Kinshasa, Congo. The level of organic talent and sound is definitively mesmerizing, so much that there has been a recent documentary made about them.



Joni Haastrup - Wake Up Your Mind (Tummy Touch / Soundway)



The Afro-soul sound could not become any more sweeter with this wondrous re-issue from the one they dubbed in 1970s West Africa as "Soul Brother Number One." Soulful and groovy in all its own right, this record is a timeless piece of work that captures one facet of a vibrant foundation when it comes to Nigerian music.



The Lijadu Sisters - Danger (KF)



Another re-issue of a classic! Originally released in 1976, these identical twins, also dubbed as the West African Pointer Sisters, provided a soundtrack of social commentary for what life was like in Nigeria at the time, largely addressing the political climate through their gorgeous harmonies backed up by some heavy Afro-rock beat headed by the late Biddy Wright.


Nate Jarrell, Leonard Patton New San Diego Jazz Things November 7 2011
Blog Name: The New Jazz Thing with Vince OutlawAuthor: Vince Outlaw Posted on: November 6, 2011
San Diego New Jazz Music in the spotlight on The New Jazz Thing, Monday, November 7, 2011 6-8 PM PT!

2011-11-07 Adds To The Jazz 88 Music Library
Blog Name: Jazz 88.3 Library Blog - New This WeekAuthor: Vince Outlaw Posted on: November 6, 2011
New Keith Jarret, Manhanthappa...and San Diego's own Nate Jarrell (who will be on TNJT Monday 11/7 at 6:40 PM PT)...among some other great progressive, duo, debuts, and other great New Jazz Music! And being played for the first time on Jazz 88 on The New Jazz Thing, Monday, November 7, 2011 from 6-8 PM PT.

REZ ABBASI’S INVOCATION (FB, @RezTone)– “SUNO SUNO” (Progressive session, led by this
guitarist, with an all-star band of progressive artists).

AllABoutJazz (Something Else!): More important, in particular as it relates to this album, must have been the impact of Coltrane—especially in the way this group often works toward an almost unbridled release without losing musical coherence. That was the risk as Coltrane struggled through his spiritual awakening on the career-defining A Love Supreme, and it remains so here—as Abbasi tries to blend his native country's praise song forms and jazz. Invocation's exultations, in particular on the more overtly Qawwali-influenced numbers like “Thanks for Giving" and “Onus On Us," walk the same fine line—and they emerge with a statement of similar artistic breadth, religious wonder and musical intrigue.

EMMET COHEN (@EmmetCohen)– “IN THE ELEMENT” (Debut release by this 20-year old pianist,
mostly trio stuff, with trumpeter Greg Gisbert guesting on 3 tracks).

AllAboutJazz.com (Edward Blanco): At the ripe old age of 21, jazz piano prodigy Emmet Cohen has already racked up an impressive list of awards among them, Downbeat's Best Jazz Soloist and Best Jazz Combo (for the Emmet Cohen Trio), placed first in the Kathleen T. and Philip B. Phillip's Piano competition at University of West Florida and was selected as a finalist for the 2011 American Pianist's Association's Cole Porter Fellowship.

MIKE DiRUBBO (FB, @MikeDiRubbo) & LARRY WILLIS – “FOUR HANDS, ONE HEART” (Sax/piano
duet recording, doing mostly standards).

JazzWrap (Stephan Moore): This is the first album on DiRubbo's own label and its a great way to begin. Four Hands, One Heart is a wonderful contemporary album that merges both the talent of a legendary pianist and the already accomplished and well respected saxophonist. This is great stuff that deserves everyone's ears...

HARRIS EISENSTADT – “CANADA DAY II” (Drummer, leading a quintet, with a
mix of contemporary and straight-ahead originals).

AllAboutJazz.com (Mark Corroto): If you believe most recordings by drummer/composers are positive statements, then Harris Eisenstadt's Canada Day II is more than a glass half full. It is a brimming cup of music. The disc follows 2009's Canada Day, on Portugal's Clean Feed label, with the same lineup. The glue here is the perpetual groove, be it applied by the drummer, bassist, or vibraphone as on "To Be," someone is always carrying the freight. That makes for better solos and a crisp accessible sound.

KALI Z. FASTEAU (FB)– “AN ALTERNATE UNIVERSE” (Progressive, pianoless trio,
recorded in the 90’s, newly released).

Squidco: "A recording of three musicians with superlative and fascinating careers. The musical lineage of multi-instrumentist and composer Kali. Z. stems from her musician grandparents hosting sessions with the Gershwin brothers and Kali's college and graduate studies of world music and jazz. Her musical trajectory then flows through her marriage and musical partnership with the great multi-instrumentist and composer Don Rafael Garrett (he recorded 4 albums with John Coltrane), and decades of living in 16 countries, leading ensembles of wonderful musicians, recording some 18 albums of her world jazz, and performing on more than a dozen instruments.On this recording, these extraordinary artists deliver their unique powers to the collective sound, combining their creativity in fiery sessions recorded in the first days of 1992. An Alternate Universe, finds these musicians roaring along the high energy road.

KEITH JARRETT – “RIO” (Double-disc solo piano improvisation concert, complete
with humming).

The Guardian (John Fordham): The story goes that Jarrett was on the phone to ECM boss Manfred Eicher barely before the applause had died down, convinced this was his best gig in years – and he's right. Warmer and less abstract than his still-remarkable 2006 Carnegie Hall solo show, a constantly changing (and totally improvised) soundscape of rocking African and Latin vamps, fragile love songs, guitar-like blues and sparingly deployed free jazz, Rio represents Jarrett at his most exuberant.

NATE JARRELL (FB) – “THE NEXT CHAPTER” (Local guitarist, in an edgy outing, with a
mix of originals and jazz tunes).

San Diego Reader (Robert Bush): The Next Chapter is an excellent example of modern electric jazz guitar, which, in it's best moments, veers slightly to the left of center. Creative stuff, highly recommended.
RUDRESH MAHANTHAPPA (FB, @RudreshM)– “SAMDHI” (Typically progressive outing from this
Indian saxophonist).

AllAboutJazz.com (Mark F. Turner): About halfway through the aptly named "Killer," it becomes apparent that saxophonist Rudresh Mahanthappa's Samdhi is up to something just a little different. Amid the track's impossible changes and blistering tempo, the saxophonist's alto undergoes acoustic-electric alterations that are processed through a laptop. Samdhi is the product of Mahanthappa's receiving a Guggenheim Fellowship in 2008, which allowed him to explore the fusion of electronic music, ancestral Indian music and jazz. It spawned a new group with a number of early dates and the results are striking. From start to finish, the music never abandons its flavor. Stimulating, open-minded, and never pretentious, this is Mahanthappa's most accessible release to date.

JEREMY MONTEIRO – “COMPOSITIONS: GOLDEN YEAR INAUGURAL, VOL.1”
(A variety of guest artists, performing his original compisitions).

AllAboutJazz.com (Ian Patterson): Jeremy Monteiro has come a long way since starting out as a professional jazz pianist when not quite seventeen, back in 1977. As a leader, he's recorded over twenty albums, though it wasn't until Homecoming (Jazznote, 2007) that he released one of all-original compositions. Released as part of his fiftieth birthday celebration, the original material here stretches from his much vaunted Montreux appearance in 1988 to a performance in Borneo in June, 2010. Whether playing a blues, a lilting samba or soul-inflected jazz, or heating up the keys on a straight-ahead workout, Monteiro's music always swings.

OSCAR PEREZ NUEVO COMIENZO – “AFROPEAN AFFAIR” (Straight-ahead
originals, with a Latin vibe, 3 vocal tracks).


MARK WEINSTEIN (@altoflute41)– “EL CUMBANCHERO” (Latin grooves, with strings).

Mark Dresser Inspiraling Telematics 2011 Interview 2011-10-31
Blog Name: The New Jazz Thing with Vince OutlawAuthor: Vince Outlaw Posted on: November 1, 2011
What a great way to spend Halloween...talking with Mark Dresser, a true innovator and pioneer in improvisational music and collaborative methods and technologies...a dream for a geek like me! In addition to the interview, here are a couple other bits about Telematics and the show this Wednesday, November 2, 2011 7PM at UCSD...
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