The New Jazz Thing is LIVE 6-8 PM PT Monday, February 28, 2011 on Jazz 88.3 FM KSDS San Diego Webcast http://Jazz88.org!
Tonight on the show:
Rachel Z and Omar Hakim of Trio of OZ (check out some music clips there)! They will both be joining us via teleconference line to chat about their new release.
Noah Preminger has a new release "Before The Rain" out and we'll be chatting with him about it.
Interact with The New Jazz Thing!!
#TNJT on Twitter (http://Twitter.com/TNJT): If you want to hear something or make a comment about a song or the show, send us a Direct Message on Twitter, ReTweet a show posting (we post each playlist entry during the show), or just post using the #TNJT hashtag and we'll be monitoring it during the show!
ERNEST STUART – “SOLITARY WALKER” (Very edgy trombonist, with a mix of originals and standards).
Reviews and Quotes:
Ernest Stuart - Album Preview: Solitary Walker is the product of my
attempt to create music that is a true reflection of myself and my
musical experiences which ranges from gigs with The Roots to The Village
Vanguard Jazz Orchestra. I also wanted to present a jazz album that is
steeped in the tradition of Philadelphia soul. During it’s production, I
set out to capture an honesty that I feel most over-produced jazz
albums now lack. I believe the over-use of technology to erase
“mistakes” can leave an album without character. The album boasts a
slight rawness from the use of acoustic instruments and as few
microphones as possible (the horns share one microphone as well). In
keeping with my vision of honesty, the listener is drawn into the
album’s sound and sophistication unpretentiously.
AllAboutJazz: "The CD title Solitary Walker comes from the book Reveries of the Solitary Walker
written by French philosopher Jean-Jacques Rousseau. Stuart discovered
the book during a somewhat tumultuous time while living in New York
City. The book's theme resonated deeply with him, though his “exile" was
totally self imposed. He learned a lot about himself during this
relatively short period, but also about the nature of ordinary people,
music and musicians."
Anthony Smith Bio: "...also the Common Ground Theatre’s world premiere of “Jazz Queens Cast Blue
Shadows,” for which Anthony wrote the original score to accompany the
standards of Billie Holiday and Dinah Washington. The music from “Jazz
Queens” was then recorded in the studio by Anthony and his four-piece
band, for a forthcoming Bluport Records release (early 2011)."
PIKET – “SIDES, COLORS” (Mostly progressive outing, with a variety of
band configurations, doing mostly originals, with a couple of
Reviews and Quotes:
AllAboutJazz.com (Wilbert Sostre): "she demonstrates her different musical sides and colors. Piket shows her classical, lyrical side on "Billy's Ballad" and Bill Evans "Laurie," while the classical feel is accentuated by the addition of clarinet, flute and strings—a concept similar to Esperanza Spalding's Chamber Music Society (Heads Up, 2010)."
AllAboutJazz.com (Dan McClenaghan): "Side, Colors
features a mix of styles, but is sequenced perfectly. "Side A" is
mostly with strings; "Side B," a freer, mostly piano trio affair. Piket
takes some chances here, and it pays off nicely."
Huffington Post (Joseph Vella): "What makes his solo outings and the Live at Marciac recording
so exciting is the repertoire that he incorporates into his
performances. His blend of jazz and classical styles, the American
Songbook, unique covers of pop tunes and originals all seamlessly blend
into a fulfilling and varied musical experience. His breathtaking
command of his instrument is undeniable. But what he is able to say
musically as a soloist within the context of each song combined with his
improvisations is simply masterful. "
CDBaby: "Beautiful As The Moon is a
very personal statement from the band--all of the music comes from the
band members or is inspired by their families and their influences." "With all but one song
recorded at the Saville Theater, San Diego City College for a live
concert on KSDS Jazz88 radio in San Diego, this is an excellent
opportunity to experience some great Latin Jazz live without any edits
or tricks so common on many studio produced sessions where the music is
recorded overdub by overdub. Not here, this is the real deal--seasoned
Jazz and Latin Jazz musicians running risks to create great art,
passionate rhythms and beautiful melodies resulting in music that is as
beautiful as the moon."
FRED HERSCH – “ALONE AT THE VANGUARD” (Solo live piano recording, with a mix of originals, jazz tunes and standards).
Reviews and Quotes:
AllAboutJazz (Dan McClenaghan): "Hersch
has what it takes to ignore the "never open with a ballad" advice: a
supple and exquisitely-refined touch; a sharp focus on the melody; a
deep sense of classical harmony; and a magical ability to get inside the
tune and make it his own. Hersch's sound here has a uncommon
fragility/strength dynamic, and it is serious and cerebral, with an
opposing simplicity buoyed by a rich complexity, born of a lifetime's
immersion in the music."